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            There was a time when American Airlines was one of the most respected passenger carriers in the United States.  I'm talking about a time when fares were regulated and the number of direct flights was far less than today.

            In the 1950s, American Airlines advertising and marketing consultants came up with a brilliant idea.  The company would broadcast a nightly program on the biggest radio station in each market the carrier served.  Dallas, Chicago, New Orleans, Los Angeles, New York, Washington, D.C. 

            The list goes on.

            It would be called "American Airlines' Music ‘til Dawn," and it would be hosted by a mellow-voiced announcer with a romantic fullness.  He would intersperse dreamy classical and popular orchestrations with poetry readings and thoughts about the places American Airlines served.

            So the advertising and marketing consultants bought time on the stations, provided the concept to the management of each station and let them run with it.  What occurred was the host of the program at each station produced their individual interpretation of what "Music ‘til Dawn" should be...what it should sound like. 

            Consequently, there was no continuity among stations, and the listener surveys that followed showed the program was failing miserably in almost every market.

            However, before they pulled the program nationwide, the advertising and marketing consultants thought they should revisit their idea.  So they sent representatives to each market, and the representative checked into a hotel, turned on the radio, and secretly recorded that city's station's interpretation of "Music ‘til Dawn" on a reel-to-reel recorder.

            They brought their tapes back, and they holed up in the conference room and listened to all of them.  But it really didn't take but a few hours to realize the problem.  There was no continuity.  What each guy was doing didn't sound anything like what any of the others were doing.

            So, the marketing people went to each station and auditioned announcers in that market until they found a voice that fit their concept.  They all sounded fairly much alike.  They were then contracted by AA and paid a talent fee.

            Next, the marketing team scripted and provided the play list for each night.  So at anytime during the evening, within a few seconds one way or the other, all of the programs would be playing the same song and the announcer would be reading the same script.

            And a theme song, an orchestration of "That's All," introduced and ended each evening's program, and also ran under the announcer's voice at anytime the mike was open.

            This time it was a huge success.  It ran for a number of years.

             And today, there are blog sites that devote page after page of recollections about "Music ‘til Dawn."  Dallas' Hugh Lampman, as far as I'm concerned, was the very best of the hosts.  I have always believed he was American Airlines' model.

 <<===Hugh Lampman, KRLD

           I had the good fortune of hosting "Music ‘til Dawn" in New Orleans while I was a student at Tulane University in the late 1950s.  I'm not sure why I was chosen. Bill's Music til Dawn I am positive I did not begin to match Hugh Lampman's presentation on Dallas' KRLD.

            Nevertheless, there is a very important lesson here for real estate sales people and brokerage companies.  Your greatest chance of success comes with the continuity of your presentation and marketing.  Your greatest chance of failure comes when you choose to "do it your own way" instead -- "I want to do it in my own words."  That doesn't cut it.

          It's the lesson American Airlines spent hundreds of thousands of dollars to learn.  And by reading their story here, you got a business model at no charge.

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7 Comments on AMERICAN AIRLINES' "MUSIC 'TIL DAWN" PROVIDES BUSINESS MODEL FOR REALTORS

OCT
23
2007
217,536 Points 12 Featured Posts Outside Blog

I know why you got the job...I've heard your voice!

I do try to be consistant...but my model doesn't necessarily mesh with my Brokers! I'm into technology and he isn't at all!

7:12pm • #1
257,440 Points 14 Featured Posts Outside Blog

Well, Miss Joan, if you get bored way up there in New Hampshire and would like a paid technology assignment or two, let me know.  I could use some help because I don't totally understand the vernacular.

Bill

10:07pm • #2
NOV
15
2008

In my days of Theatre management (1950s) after making the nightly bank deposit I would take a leisurely drive home while listening to Jay Roberts of "Music til Dawn" from WJR, Detroit.  The wonderful days of AM radio will never be here to experience again but AH! what memories and I even have a vinyl Lp album of the program. 

During the day, radio WWJ, also out of Detroit had a program, "Minute Parade" hosted by Faye Elizabeth and featured a bare thirty minutes of light classical music. She departed from her "normal" format, one day, playing instead of classical music, tracks from an album titled, "Afternoon in Amsterdam" some wonderful barrel organ music and I fell in Love! For me, "Music til Dawn" and "Minute Parade" were the epitome of enjoyable listening.

Frank A. Phillips
6:38am • #3
257,440 Points 14 Featured Posts Outside Blog

Mr. Phillips, thanks so much for taking the time to tell me about your "Music 'til Dawn" listening from WJR in Detroit.  I hadn't heard about Faye Elizabeth and her Minute Parade.

There are at least three 33 1/3 albums of "Music 'til Dawn" music that can be found at the sites for used records.  Also, if you buy the albums of Norrie Paramour and Jackie Gleason you can recreate your memories sans the deep voiced poetry reading that we, the hosts, added.

For those of you who are reading this other than Mr. Phillips, and wonder who in the world Norrie Paramor was, he was an English composer and arranger.  His orchestra, loads of strings, played the most haunting and romantic music ever.  When the tune began, a soprano would sing the title, and that was the last you'd hear from her.

Probably the most famous of those Norrie Paramour tunes was "Stairway to the Stars," and the voice sung, "We'll build a stairway to the stars," at which time the volume of the violins would rise.

Of course, Jackie Gleason was a famous comedian in the early days of TV, but he also produced romantic LPs...some of the very best ever.  They are also available via used record stores as well as on inported CDs

Thanks, again, Mr. Phillips for remembering with us.....

Bill Cherry

7:00pm • #4
NOV
26
2008
MAR
18
2009

Fortunately, I have a several versionings of the theme used for all the Music Till Dawn shows. It's called "That''s All" and it was written by Arlan Brandt and Bob Haymes. The main MTD instrumental was by the Sy Mann Orchestra. Henry Mancini's version was also used on breaks. But the Sy Mann version is absolutely awesome. Huge orchestra. The version was orchestrated in several parts, so it wouldn't be repetitious. I recall hearing Jay Andres out of Chicago and Jay Roberts out of Detroit doing the show. After the demise of MTD, Jay Roberts still had a Night Flight show.

Indeed, those WERE part of the great days of radio.

Dan Diamond
3:10am • #7
JUN
12
2009

I grew up in Detroit and my parents were good friends with Jay Roberts and his wife Jo Ann. We would often get together with them for dinners, outings, concerts, etc. Jay was a really, really kind man and knew tons about jazz. As a young kid, I looked up to him and it was kind of cool for me to have a celebrity in our lives! As I got a bit older, I started listening to Night Flight and could really appreciate Jay's smooth radio manner. Those were magical days and I miss 'em.

Rich Millett
11:06am • #8
257,440 Points 14 Featured Posts Outside Blog

Rich, thanks for telling us about your friendship with Jay and Jo Ann Roberts, and how much you enjoyed Jay's talented broadcasts. 

Most of us who were hired in radio to provide talent rather than just reduntantly identify song, artist and call letters as announcers do today, are not surprised that "suits" have all but destroyed the medium of yesterday -- a format that worked and made lots of money.

So we are grinning now that owners are seeing ad revenues tank and the value of their station assets diminishing dramatically.

Listeners and advertisers don't buy "suits," they buy talent...talent like Jay Roberts had.

1:27pm • #9

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BILL CHERRY

Dallas, TX

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BILL CHERRY, Real Estate Broker

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